A Fatal Grace (Book 2) Re-Read

Watch video of Louise Penny discussing A Fatal Grace:

Posts & Discussion

The following post(s), written by a guest blogger, are open for you to participate with your comments. Spoiler Alert! These posts and discussions can include spoilers for the book's plot. We recommend that you finish reading the book before delving any further.

A Fatal Grace, Part 2

Clues and questions and suspects continue to pile up for Gamache and his team. Having learned that CC de Poitiers, who claimed to be the daughter of Eleanor and Henri de Poitiers, invented both her name and her past (Eleanor de Poitiers, better known as Eleanor of Aquitaine, actually died in 1204), Gamache needs to find out who CC really was. Are there any significant clues to be found in the video cassette of The Lion in Winter that turned up in CC’s garbage after the murder?

Meanwhile, Gamache is astonished when Clara proudly shows him the Li Bien ornament Peter gave her for Christmas, which is exactly like the ball CC supposedly used as the basis for her garbled philosophy. The glass ball is painted with three pine trees, the word Noël, and a single capital letter, L. Was it the picture of the trees that prompted CC to buy the monstrous old Hadley house in Three Pines? Awkwardly, Peter is forced to confess that while he meant to buy Clara something for Christmas this year, he actually found the ball in the Williamsburg dump.

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A Fatal Grace, Part 1

I started working with Louise in October 2006, after the editor who had bought her first three books left Minotaur for another company. At the time, only Still Life had been published. A Fatal Grace was in bound galleys, and The Cruelest Month was a completed manuscript in search of a title.

Since I needed to read three books in a row, it was lucky that I loved them from the start. Although Louise had me from the acknowledgments at the beginning of Still Life, there came a scene in A Fatal Grace that gave me chills in a way that only the very best manuscripts ever have. (I describe that scene in the recap below.) I even remember where I was when I read it. In those days I had an hour-long commute on the train. I know that I started reading the galleys on the train on a Tuesday night, then continued on Wednesday morning, when we always have our editorial meetings. By the time I got to that meeting, I couldn’t stop talking about how amazing Louise was, except perhaps to ignore everyone else and keep reading more of the story.

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Hope DellonHope Dellon's first job in publishing was as an assistant to Joan Kahn, the legendary mystery editor whose authors included Dorothy L. Sayers, Dick Francis, Patricia Highsmith, and Tony Hillerman. In 1975 Hope joined St. Martin's Press, and is now an executive editor at both St. Martin's and Minotaur Books. She has been editing Louise Penny since 2006. She also tweets about books and authors and anything else that interests her at @hopedellon.